a 24/7 salad of dark electronic and obscure experimental sound

MOSS:24APR25 

a two hour mix from new tracks added to grey clay radio over the past fortnight.

First playing Saturday 26th April 1pm (UK time) then repeated Mondays 1am and Thursdays 9am (also UK time)

Timestamped track list on the Schedule Page.

<1NTWRK single artist mix

<tungsten 

9pm Sunday 27th April repeated 1am Thursdays (UK time).

An industrial ambient/drone soundtrack to your machine dreams.

Track list on the schedule page.

Call for Submissions for grey clay's own Drone Day 2025 event. See news page for details

AFTERVOLTER - egregore

Partake in the sonic mirror that is egregore.

Playing Thursday 17th April 5am and 12 noon (UK times). Repeated weekly.

Details and lore on the schedule page

Raffaele Pezzella’s 

The Recognition Test - show #363

9am Sunday 20th April, repeated 11pm Thursdays [UK time].

Details on the schedule page.

ANALYSIS 05

The new mix by substak for grey clay radio, starting Wednesday 16th April, 7pm [UK time].

See schedule page for track list and further details.

THA_LAB.

Transmission 06

Starting 9pm Monday 7th April, UK time.

The sultry new drone/dark ambient mix for grey clay by Thierry Arnal. Mondays, 9pm & Fridays 3am, UK time.

Details on the schedule page.

fluxus 2

The second unique experimental-improvisation show by Schwarzer Tag and guests.

Fridays 11am and Saturdays 7pm, UK time.

Details on the schedule page.

Generative Wastelands 

Episode 13

Saturday 5th April 2025 11pm and  Monday 7th April 7pm UK time. (Repeated same days and times.)

An intriguing and poetic interpretation of seemingly abandoned places by Thomas Park.

Details on the schedule page

FEATURED ALBUM

In Fondo

by

Manuel Carbone

Released: 28.03.2025 on Dragon’s Eye Recordings

https://manuelcarbone.bandcamp.com/album/in-fondo

10 tracks, 38 minutes

It has been suggested that this album is somewhat of a change in direction for composer, DJ and sound artist, Manuel Carbone, and I fully get that deliberately parting with the use of field recording is deeply significant, but that said, this album is 100% Carbone in my opinion and not only that, it is immaculate.

In each track, in the order and tempo of every part is Carbone’s innate subtleness of touch. Never overstated and yet never quite what it first appears to be. There is a tension in it that makes me feel like I am a fly being held in an entomologist’s tweezers, looking up through compound eyes into a face of benign concern.

And yet this is in many ways a gentle listen, not to be rushed and unless you are laying down in a dark quiet place with decent speakers then it is perfect for staring out of a rainy train or car window with noise-cancelling headphones. The sound palette is neither declamatory or understated but just super-confidently restrained to let the intended mood memory say what it says without distraction. Nowhere in the album is this better exemplified than in the closing two minutes of the track In Fondo (Parte Terza) where Carbone’s love of the quieter production ethic bathes us in an almost inaudible sub bass experience that just gets deeper each time I play it.

He describes the album as “a diary or sparse shreds of a diary,” offering fragments of memory that avoid direct interpretation and as such is an abstract reflection. That certainly feels true, and yet within its scope there is a playfulness here as well. The mood is conveyed in the way the sounds are articulated as much as by their timbre. This control begins with the ever so slowly rotating tones of the opening Da Lontano and the later Poter Ricordare Ancora but then encodes the reflection in the more animated Immateriale and Senza Un Titolo just as effectively.

To eschew field recording then recreate a Mediterranean feeling with synthesisers in Il Mare In Sintesi is a perfect clue to what I think is behind this album and is itself a reflection on the nature of memory. It had to be done like that - it couldn’t be a recording. A memory is recreated each time we remember it - it is literally resynthesised. This is Carbone’s sea.

Manuel Carbone is an Italian sound experimentalist and noise artist from Naples, currently based in Berlin.

https://www.manuelcarbone.com

T.Čelet

April 2025

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The featured album plays daily at 5pm, UK time.

EX!Zine EDITION 2

The second edition (print version)of this superb, 100 page experimental arts zine is now available from the Adventurous Music Bandcamp site. 

Featuring:.7ARTCORE, Beware! The Radio, Corina Retzlaff, Gudrun Gut, Guillaume Bourassa, Inner Demons Records, Jóhann Eiriksson, Korf Ar Son, Lilu Fischer, Lucus, Manuel Carbone & Poppy H, Poeji, Quatrefoil & AimyþyhrℵullA, Richard Chartier, Rolando Torres Martin, Tremor Hex, Veronica 'Vern' Avola, Zmijowka and more.

The print version includes a download code for the accompanying digital album.

Artist in Residence: 16bard. Playing new work from the Forsyth Sessions every Wednesday at 12:00 and 23:00 UK time.

Steven Ray - Gestation

A new retrospective mix of work from 2016-2024, by Steven Ray, Tuesdays 7pm & Sundays 3am (UK time)starting 02.03.2025

More on the schedule page.

deep motif.

Selections of past motif show tracks, playing for 2 hours, 3 times a week! See schedule page for more info.